That H

The bookstore’s display card calls attention to a novel of moral crisis published in 1901 and typical of its era: a serious-indeed romance about a young man having to decide between a bad girl and a good one. Imagine Henry Blake Fuller’s The Cliff-Dwellers without the cliff. It seems not to have made much impression. Online in 2017, I’ve found only two things that resemble reviews: in The Salt Lake Tribune for November 11, 1901, page 2, a single quotation (“Your face is not your fortune”) in a filler graf headed “Wit and Wisdom from New Books”; and in advance in The New York Times, this.

Tonally, that précis is accurate; in Reginald Wright Kauffman’s Harvard, dorm-room conversations are held about the mystical influence of Harvard. But in terms of page count, most of the Bildung in this Bildungsroman is football. Our hero’s moral crisis occurs after the game is lost to Yale, 28-0.

The genre formalism isn’t interesting either. At the end the bad girl plays Wagner on her piano in the background, good sport! for the kiss with the good girl.

But on the card there’s this.

That H isn’t just a team identifier; it’s a Peircian symbol. A black rectilinear hardness swirled around by crimson brushstrokes, it imposes control on their flow and gives it a form. In form, forcibly concentrated to a meaning, the connotations of the initial H burst forth into a sentence-long idea: H (yes! at last I realize it, in the dazzling, newly discovered full sense of the word!) is for Harvard. Understood on the body, the sentence in crimson oil teaches its boy wearer to think of his body as a newly understood allegory of its institutional self. The boy has learned at last to think of his body as H.

The bodily letter takes dominion everywhere. In the portion of the image that hasn’t yet been changed, the boy’s epicene face has started going tiny as the body below swells to manly form and presses against the yielding boundaries of what it is about to cease being.

“It is true,” says the boy’s friend. Burgeoning and then contracting, truth concentrates itself down to a single word. Then, in red and black oils, it leaves behind the word’s last vestige of mere referential meaning and dwindles to an abstract shape which has shed all reference to anything beyond itself. It has now fully become an idol, and its name forever after will be H. From every mouth in the stands, forever after, it will sigh the breathy hymn of itself.

Sources:

Jarvis of Harvard is online at Archive.org. The quotation above comes from page 353.

The display card is in the Miriam and Ira D. Wallach Division of Art, Prints and Photographs, Art & Architecture Collection, New York Public Library, http://digitalcollections.nypl.org/items/510d47e2-9516-a3d9-e040-e00a18064a99. Photoshopped.

Tune by victor to be played

Ernst Hanfstaengl had been a popular member of Harvard’s class of 1909. Wealthy, talented, gregarious and cosmopolitan, with an aristocratic German father and an American mother, he composed songs for the football team while he was in school and enjoyed productive friendships in New York afterward. Acquainted with both Theodore Roosevelt and Franklin D. Roosevelt, he was also briefly engaged to Djuna Barnes. In 1934, when the time came for his twenty-fifth Harvard reunion, he was named a vice-marshal of the class. By then, however, his country of residence was Germany, where he had become one of Hitler’s early intimates.

Hanfstaengl with Hitler and Goering in 1932, from Wikimedia Commons

By then, too, the nature of the Nazi regime was apparent. After students and alumni protested, Hanfstaengl resigned his honorary position at the head of his class, and on Harvard’s behalf President James Bryant Conant refused his thousand-dollar gift to his alma mater. Students also demonstrated against a visit of the German cruiser Karlsruhe to Boston, and arrests were made. In Cambridge, the spring of 1934 was a halcyon time for the emotions.

The emotions weren’t all on one side, either. At least two prominent members of Harvard’s humanities faculty, Francis Peabody Magoun and George Kingsley Zipf, were openly pro-Nazi, and it was as Harvard’s Charles Eliot Norton Professor for the academic year 1932-33 that T. S. Eliot formulated his notion that there is no place in society for Jews. Here, from the Crimson’s archive for May 17, 1934, is a little pragmatic souvenir of what the word “society” was capable of meaning during that time. To find our way through that, perhaps we should listen in the text for guiding imperatives. There is one: Royall Victor’s tune, crying to Harvard and to the after time, “Don’t spare my heart.” Reading in a way that doesn’t spare the heart, then, we’ll begin to comprehend that Ernst Hanfstaengl’s family business was art publishing and the boat was pretty. It was to sail prettily on until April 9, 1940, when it was sunk during the invasion of Norway. http://www.history.navy.mil/photos/images/h98000/h98276.jpg

http://www.history.navy.mil/photos/images/h98000/h98276.jpg

Three hundred miles from Harvard, on the quiet Quaker campus of Swarthmore College, another young man felt that his heart had not been spared. When he tried to tell the editors of The Nation about his heart’s wound, however, they reacted only with bafflement. Baffled by others in the same way, they asked their readers on December 27, 1933, for help.

Eighty years later, the bafflement seems to have changed into a problem in the definition of terms. Because history’s lexicon in 2013 probably would define the Third Reich as indeed a regime of “men without conscience — in short, cruel, inhumane, selfish, and even immoral, lacking one redeeming characteristic,” speakers of a 2013 dialect of English will have difficulty communicating a sense of what David Lukens Price was trying to communicate in the vocabulary of 1933, before words like “cruel” had become encrusted with their post-1933 senses. And what makes our attempt to read the simple dead language of the past more difficult, not less, is that we actually have a single hint as to who David Lukens Price, speaker of a language once living but now dead, once seemed to be.

In Delaware County, Pennsylvania, we might be able to visit the courthouse and learn more. Anywhere outside Delaware County, however, there now seems to exist only one datum about the history of David Lukens Price: that he graduated from Swarthmore High School, then continued living at home while he attended Swarthmore College, from which he graduated in 1932. The date at the foot of his letter to The Nation says he was still in the borough three semesters later. That seems to be it, at least outside Delaware County. If he ever uttered another word that was remembered, I haven’t found it in the history. I haven’t even been able to locate an obituary. But the single datum that does survive comes back to us as a pair of Delaware County verbal events separated by a year, and it’s called Halcyon.

Halcyon is, or was, the yearbook of Swarthmore College. In the 1932 edition there’s a small picture of senior David Lukens Price, with his local address and a list of the student organizations to which he belonged, notably German Club I, II, III, IV. But the yearbook is, or was, a project of the junior class, and on the Price page in the 1931 edition somebody has tried hard to say something nice about Dave.

http://ia700301.us.archive.org/6/items/halcyon1931unse/halcyon1931unse.pdf
http://ia700301.us.archive.org/6/items/halcyon1931unse/halcyon1931unse.pdf

In Pennsylvania newspaper archives from the 1960s, a Charles E. Pugh shows up here and there, typically delivering a speech in his capacity as head of the Pennsylvania chapter of the American Automobile Association. I don’t know whether that man is the continuation through time of the cheerful frat boy in the right column above, but the fit would be smooth. In comparison . . .

In comparison, oh poor Dave. No wonder he wrote the word “destiny!” with an exclamation mark. In his head he had a picture of a girl (or boy) named Germany, and he liked to think that if he could just sing beautifully enough she (or he) would notice him. After all, the only real difference between Dave the musician and Ernst the musician lay not in them but in their venues of performance. In Cambridge and Berlin, members of the audience would rise inspired from their seats, go forth, and launch cruisers. From Swarthmore, on the other hand, the sound of the ocean was absent. Unable to send men forth, unable to make them join in the song he heard in his head, Dave could only go silent. On their yearbook page, Halcyon’s words about him bring forth no echo.

I also discuss the page from The Nation at http://jonathan-morse.blogspot.com/2010/04/how-not-to-write-while-incredulous.html. A critical history of policies toward Nazi Germany on American campuses in the 1930s is Stephen H. Norwood’s The Third Reich in the Ivory Tower: Complicity and Conflict on American Campuses (Cambridge University Press, 2009). For what the information may be worth, a Caroline Augusta Lukens held the position of alumni recorder at Swarthmore during David Lukens Price’s time there, and a Clara Price Newport was a professor of German (Halcyon 1931, pp. 24 and 26).